學(xué)院新聞
學(xué)院新聞
【招生·面向全球】20233044am永利集團(tuán)“知識體系平臺（CCKS）下的影人年譜”
研究生暑期學(xué)校學(xué)員征集啟事
2023 Peking University "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)"
Graduate Summer School Announcement
一、活動簡介Introduction
3044am永利集團(tuán)“知識體系平臺（CCKS）下的影人年譜”研究生暑期學(xué)校，由3044am永利集團(tuán)、3044am永利集團(tuán)研究生院與國家社科基金藝術(shù)學(xué)重大項目“中國特**知識體系研究”（22ZD10）課題組聯(lián)合主辦。暑期學(xué)校項目負(fù)責(zé)人李道新教授，3044am永利集團(tuán)副院長，博士生導(dǎo)師，長江學(xué)者特聘教授，國家社科基金藝術(shù)
學(xué)重大項目首席專家。
The Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)" is jointly organized by the School of Arts, Peking University, the Graduate School of Peking University, and the Major Project on Chinese Cinematic Knowledge System Research of the National Social Science Fund (22ZD10) project team. The project is led by Professor Daoxin LI, Vice Dean of the School of Arts at Peking University and Changjiang Distinguished Professor. Professor Li also serves as the Principal Investigator of the Major Project on Chinese Cinematic Knowledge System Research of the National Social Science Fund.
本屆暑期學(xué)校將于2023年8月6日至12日以線下面授方式舉行，授課地點為3044am永利集團(tuán)，授課形式為前沿學(xué)術(shù)講座、專家授課、實踐工作坊、沙龍對話、主題研討、項目匯報等，面向全球招收50位相關(guān)領(lǐng)域學(xué)員。目標(biāo)是創(chuàng)造一個充滿活力的學(xué)術(shù)環(huán)境，吸引來自全球不同國家和地區(qū)的專家和學(xué)員們共聚一堂。在這個平臺上，大家可以自由地分享自己的研究成果、創(chuàng)新思維并展開相應(yīng)的學(xué)術(shù)研究，通過思想碰撞和經(jīng)驗交流，激發(fā)出更多的創(chuàng)意靈感。
The summer school will be held on-campus at the School of Arts, Peking University from August 6th to 12th, 2023. The program includes cutting-edge academic lectures, expert lectures, practical workshops, master dialogues, thematic discussions, project presentations, etc. It aims to attract 50 students from relevant fields worldwide, creating a vibrant academic environment. Experts and students from different countries and regions around the world will gather together. On this platform, everyone can freely share their research achievements, innovative ideas, and engage in academic research, fostering creativity and inspiration through intellectual collisions and experiential exchanges.
二、暑期學(xué)校信息Summer School Information
時 間：2023年8月6日—12日
Duration: August 6th to 12th, 2023
招生人數(shù)：50人
Number of Students: 50
收費情況：免費
Tuition Fee: Free
形 式：線下授課
Format: On-Campus lectures
地 點：3044am永利集團(tuán)
Location: School of Arts, Peking University
三、教學(xué)內(nèi)容和議程安排Teaching Content and Schedule
1. 暑期學(xué)校主體課程Main Courses of the Summer School
暑期學(xué)校將圍繞“知識體系平臺（CCKS）下的影人年譜”主題，聘請國內(nèi)外知名學(xué)者共同分享。具體如下：
The summer school will focus on the topic of "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)" and invite renowned scholars from China and abroad to share their insights. The specific directions are as follows:
方向一：數(shù)智時代與電影研究的學(xué)術(shù)轉(zhuǎn)型
Direction 1: The Academic Transformation of Film Studies in the Era of Data Intelligence
打破傳統(tǒng)電影學(xué)術(shù)研究固有模式，將人類新興科技智慧成果引入電影學(xué)術(shù)研究，革新電影學(xué)術(shù)研究方法論。
To break the inherent patterns of traditional film research, integrating the achievements of emerging human technologies into film studies, and innovating the methodologies of film research.
方向二：中國電影知識體系平臺（CCKS）
Direction 2: Chinese Cinematic Knowledge System Platform (CCKS)
分享、展示中國電影知識體系平臺（CCKS, movie.yingshi.net）搭建路徑、成果、經(jīng)驗，并以CCKS為范例，探討該平臺的提升路徑。
Sharing and showcasing the construction process, achievements, and experiences of the Chinese Cinematic Knowledge System Platform (CCKS, movie.yingshi.net), and using CCKS as an example to explore the path of its enhancement.
方向三：影人年譜、數(shù)字人文與平臺建設(shè)
Direction 3: Chronicle of Filmmakers, Digital Humanities, and Platform Construction
依托CCKS，探索影人年譜研究、撰寫的新思路，探討以數(shù)字人文為基礎(chǔ)的知識平臺的搭建與維護(hù)。
Exploring new approaches to the study and writing of chronicles of filmmakers based on CCKS, and discussing the construction and maintenance of knowledge platforms based on digital humanities.
方向四：CCKS與中國電影知識體系研究
Direction 4: CCKS and Research on the Chinese Cinematic Knowledge System
基于CCKS，探求電影知識體系的互動連接，并思考如何在CCKS的基礎(chǔ)上，進(jìn)一步形成自主生成、全面權(quán)威而又開放共享的中國電影知識體系。
Based on the CCKS, explore the interactive connections of the film knowledge system and contemplate how to further develop an autonomous, comprehensive, authoritative, and open-sharing Chinese Cinematic Knowledge System on the foundation of CCKS.
學(xué)員將圍繞影人年譜、數(shù)字人文、平臺建設(shè)、知識體系研究等主題進(jìn)行深入探討，并在日程的最后一天提交一項研究報告。
Students will conduct in-depth discussions on the topics of chronicle of filmmakers, digital humanities, platform construction, and knowledge system research. On the final day of the program, they are required to submit a research report.
2. 北京?學(xué)海外名家講學(xué)計劃Peking University Distinguished Visiting Professor Lecture Series
除常規(guī)暑期課程外，本屆暑期學(xué)校還將聯(lián)合北京?學(xué)海外名家講學(xué)計劃，邀請華盛頓大學(xué)西雅圖校區(qū)人文科學(xué)系Byron W. 和Alice L. Lockwood講席教授，比較文學(xué)、電影和媒體系教授柏右銘（Yomi Braester)，日本東京大學(xué)綜合文化研究科韓燕麗（韓燕麗）教授，韓國釜山國立大學(xué)3044am永利集團(tuán)文寬奎（???）教授親臨北大燕園，面對面開展電影研究相關(guān)的前沿系列講座。
In addition to the regular summer courses, this summer school will also collaborate with the Peking University Distinguished Visiting Professor Lecture Program. Distinguished professors, including Yomi Braester, the Byron W. and Alice L. Lockwood Professor of Humanities and Professor of Comparative Literature, Film, and Media Studies at the University of Washington; Yanli Han, Professor at the Graduate School of Comprehensive Culture Studies, the University of Tokyo; and Gwan-gyu Mun, Professor at the School of Arts, Pusan National University. The Distinguished Visiting Professors will deliver cutting-edge lectures on film studies face-to-face at Peking University's Campus. The lecture topics are as follows:
柏右銘教授講座主題為：時空的碎片：新媒體進(jìn)入城市。
· Professor Yomi Braester: Shards of Space and Time: New Media Goes to Town
韓燕麗教授講座主題為：數(shù)碼時代的電影研究——作者論和女性主義電影理論的射程。
· Professor Yanli Han : Film Studies in the Digital Age: Authorship and the Range of Feminist Film Theory
文寬奎教授講座主題為：“超鏈接”時代東亞電影的敘事模式。
· Professor Gwan-gyu Mun: Network Narratives in the East Asian Cinema in the Hyper-connected Era
3. 名師對談Master Talk
暑期學(xué)校將安排華盛頓大學(xué)柏右銘教授、東京大學(xué)韓燕麗教授、釜山大學(xué)文寬奎教授、3044am永利集團(tuán)李道新教授和李洋教授“五人談”作為暑期學(xué)校結(jié)營典禮。
As part of the closing ceremony of the summer school, there will be a dialogue session featuring Professor Yomi Braester from the University of Washington, Professor Yanli Han from the University of Tokyo, Professor Kwan-gyu Mun from Pusan National University, and Professor Daoxin LI and Professor Yang LI from Peking University.
五位教授對談的主題為“中、美、法、日、韓電影研究：現(xiàn)狀與新趨勢”。
The topic of the dialogue will be:
Film Studies in China, the United States, France, Japan, and South Korea: The Status Quo and New Trends.
（注：敬請關(guān)注“3044am永利集團(tuán)”官微，北京大學(xué)海外名家講學(xué)計劃、名師對談已于今日（2023年6月30日）官微第二、三條推出。）
(Note: Please follow the official WeChat account of "School of Arts, Peking University" for more information. The introductions of the Peking University Visiting Scholars Lecture Program, the Dialogue with Five Distinguished Professors have been released on June 30, 2023.)
四、日程安排Schedule
2023年7月1日-20日，征集學(xué)員。
July 1-20, 2023: Application Call
2023年7月22日，確定學(xué)員名單，并發(fā)送正式的暑期學(xué)校邀請函。
July 22, 2023: Announcement of admitted students and sending of official summer school acceptance letters.
2023年8月6日—12日，正式舉辦暑期學(xué)校。
August 6-12, 2023: Summer school session.
具體時間安排如下 Detailed schedule:
時間Date |
內(nèi)容 Content |
2023年6月30日 June 30, 2023 |
發(fā)布學(xué)員征集及系列活動預(yù)告 Announcement of call-for-application and series of activities |
2023年7月1-20日 July 1-20, 2023 |
報名及專家評審 Application and expert evaluation |
2023年7月20日24:00 July 20, 2023 |
報名截止 Application Deadline |
2023年7月22日 July 22, 2023 |
發(fā)布學(xué)員遴選結(jié)果 Announcement of student acceptance results |
2023年8月6日—12日 August 6-12, 2023 |
暑期學(xué)校舉行 Summer school session |
五、申請材料及報名細(xì)則Application Materials and Application Guidelines
本屆暑期學(xué)校通過“報名表”+“個人學(xué)術(shù)簡歷”+“研究計劃或前期相關(guān)研究成果”征集相結(jié)合的評選機制，選取50位學(xué)員參與。
For this summer school, a combined selection criteria of "application form" + "personal academic resume" + "research plan or previous relevant research achievements" will be used to select 50 participants.
（一）申請材料清單 List of Application Materials
1.2023年3044am永利集團(tuán)“知識體系平臺（CCKS）下的影人年譜”研究生暑期學(xué)校申請表
（申請表獲取方式：點開附件夾下載附件）；
Application form for the 2023 Peking University Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)"
(Please download the application form by clicking on the attachment folder.).
2.個人學(xué)術(shù)簡歷；
Personal academic resume.
3.主題相關(guān)的研究計劃或前期相關(guān)研究成果（已發(fā)表或未發(fā)表均可）；
Research plan or previous relevant research achievements (published or unpublished).
4.學(xué)生證/工作證（掃描件或拍照）；
Student ID/Work ID (scanned copy or photo).
5.外語水平證明電子版；
Proof of language proficiency (electronic version).
6.獲獎證明電子版（說明具體時間和獎項及論文載體）；
Proof of awards (specifying specific time, awards, and publication carriers, if any).
（二）報名細(xì)則 Application Guidelines
報名截止時間為2023年7月20日。投遞郵箱為[email protected]。
The deadline for application is July 20, 2023. Please send the application materials to [email protected].
郵件主題格式為：姓名+學(xué)校/單位+專業(yè)方向+研究興趣
The subject of the email should be in the following format: Name + School/Institution + Major + Research Interests.
以上所有附件請按以下方式命名：
1.姓名 申請表
2.姓名 個人學(xué)術(shù)簡歷
3.姓名 研究計劃/前期研究成果名稱
4.姓名 學(xué)生證/工作證 學(xué)校/單位名稱
5.姓名 外語水平證明
6.姓名 獲獎證明
（注：申請表、研究計劃一律使用word文檔。）
Please name all the attached documents as follows:
Name - Application Form
Name - Personal Academic Resume
Name - Research Plan/Previous Research Achievements Title
Name - Student ID/Work ID - School/Institution
Name - Proof of Language Proficiency
Name - Proof of Awards
(Note: Please use Word documents for the application form and research plan.)
入選結(jié)果將于2023年7月22日公布，由3044am永利集團(tuán)官微發(fā)布或單獨通知。
The results of the selection will be announced on July 22, 2023, and will be published on the official WeChat account of the School of Arts, Peking University or communicated separately.
六、申請材料要求Application Material Requirements
1.申請表要求 Application Form Requirements
(1) 請保證全部申請材料的真實性和準(zhǔn)確性；
Ensure the authenticity and accuracy of all application materials.
(2) 中英文報名表選擇其一填寫即可；
Choose either the Chinese or English version of the application form to fill out.
2.個人學(xué)術(shù)簡歷要求Personal Academic Resume Requirements
(1) 申請人應(yīng)為研究生在讀或已取得研究生學(xué)位的學(xué)者；已有前期準(zhǔn)備，并有志于相關(guān)領(lǐng)域?qū)W術(shù)研究者，可適當(dāng)放寬要求。
Applicants should be graduate students or scholars who have obtained a graduate degree. Those who have made prior preparations and are interested in related academic research may be considered even if they are not currently enrolled in a graduate program.
(2) 申請人應(yīng)具備良好的英語聽說能力；
Applicants should have good English and Chinese speaking and listening abilities.
(3) 申請人的學(xué)術(shù)背景應(yīng)與暑期課程的主題具有相關(guān)性。
Applicants' academic background should be relevant to the topics of the summer school courses.
3.主題相關(guān)的研究計劃或前期相關(guān)研究成果要求 Research Proposal or Previous Relevant Research Achievements Requirements
本屆研究生暑期學(xué)校的主題為數(shù)字人文、影人年譜與中國電影知識體系研究。研究計劃需包括研究背景、研究目的、研究方法、研究結(jié)果及其意義等，字?jǐn)?shù)不少于1500字。
The theme of this year's summer school is digital humanities, chronicle of filmmakers, and research on the Chinese Cinematic Knowledge System. The research proposal should include research background, objectives, methods, results, and their significance, with a minimum word count of 1,500 words.
鼓勵研究計劃與議題相關(guān)，包括但不限于：
Research proposals related to the following topics are encouraged but not limited to:
(1) 影人年譜的編纂與數(shù)字化Compilation and digitization of chronicles of filmmakers
(2) 影人知識平臺與知識社群的運營、管理與發(fā)展Operation, management, and development of filmmaker knowledge platforms and communities
(3) 影人生涯地理與人文歷史Geographical and cultural history of filmmakers' careers
(4) 影人創(chuàng)作理念、思想理論與藝術(shù)成就Filmmakers' creative ideas, theoretical thinking, and artistic achievements
(5) 影人影響力與文化價值Filmmakers' influence and cultural value
(6) 影人形象塑造與公眾接受Filmmakers' image shaping and public reception
(7) 數(shù)字人文與影人年譜研究Digital humanities and research on chronicles of filmmakers
(8) 人工智能與數(shù)字人文方法創(chuàng)新：數(shù)據(jù)挖掘、整理、清洗及可視化等Innovation of artificial intelligence and digital humanities methods: data mining, organization, cleaning, and visualization
(9) 知識社群運營Operation of knowledge communities
……
也歡迎提交前期相關(guān)研究成果，如論文、研究報告、專著、譯著、教學(xué)案例、原創(chuàng)數(shù)字平臺/軟件/工具等。
Previous relevant research achievements, such as papers, research reports, monographs, translations, teaching cases, original digital platforms/software/tools, are also welcomed.
七、學(xué)員待遇Student Benefits
本次暑期學(xué)校面向所有入選學(xué)員免費開放，不收取任何費用。
學(xué)員食宿自理。如有特殊情況，可申請補助或相應(yīng)支持。
The summer school is free of charge for all admitted students.
Students are responsible for their own accommodation and meals. In case of special circumstances, subsidies or corresponding support may be available by application.
學(xué)員完成所有學(xué)習(xí)任務(wù)后，將獲得3044am永利集團(tuán)頒發(fā)的2023年3044am永利集團(tuán)“知識體系平臺（CCKS）下的影人年譜”研究生暑期學(xué)校結(jié)業(yè)證書。
After completing all the learning tasks, students will receive a certificate of completion for the 2023 Peking University Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)."
八、聯(lián)系方式 Contact
易 婧 YI Jing： yijing@pku.edu.cn
周丹丹 ZHOU Dandan：[email protected]
3044am永利集團(tuán)
School of Arts, Peking University
“知識體系平臺（CCKS）下的影人年譜”研究生暑期學(xué)校
Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)"
2023年6月30日
June 30, 2023
暑期學(xué)校師資介紹
Summer School Faculty
（按授課時間順序排列）
（In order of lecture)
李道新，3044am永利集團(tuán)副院長，教授，博士生導(dǎo)師，長江學(xué)者特聘教授，國家社科基金藝術(shù)學(xué)重大項目“中國特**知識體系研究”首席專家。曾兼日本東京大學(xué)特任教授，在中國臺灣、香港、澳門以及韓國、美國、俄羅斯、意大利、巴西、英國等20多所大學(xué)訪問講學(xué)，任《電影藝術(shù)》《影視藝術(shù)》等雜志編委，國家“五個一工程獎”評委，中國電影華表獎評委、國家電影局審片委員會委員等。在《文藝研究》《當(dāng)代文壇》《電影藝術(shù)》《當(dāng)代電影》《北京電影學(xué)院學(xué)報》與《人民日報》《光明日報》等重要報刊發(fā)表學(xué)術(shù)論文和影視文化評論近300篇；出版《中國電影批評史(1897-2000)《中國電影文化史(1905-2004)》《中國電影傳播史(1949-1979)》《光影綿長：李道新電影文章自選集》《影與文：李道新影視文化批評集)等15種學(xué)術(shù)著作，以及詩集《大地的方向》、散文集《燕園散紀(jì)》。
Daoxin LI is a professor and vice dean of School of Arts at Peking University. He is the first Changjiang distinguished professor in Film studies in China. His main teaching and research interests are Chinese film history, culture, theory and criticism. He has published over 300 papers on Chinese film in the core journals and newspaper, including Literature & Art Studies, Film Art, Contemporary Cinema, People’s Daily, Guangming Daily. His major publications include History of Chinese Film Criticism (1897-2000), History of Chinese Film Culture (1905-2004), History of Chinese Film Communication (1949-1979), Film and Television Criticism, Theory and Criticism.
朱本軍，3044am永利集團(tuán)圖書館研究館員，管理學(xué)博士。是3044am永利集團(tuán)最早從事數(shù)字人文研究與實踐的成員之一，主要從事區(qū)域國別研究文獻(xiàn)保障、數(shù)字人文基礎(chǔ)設(shè)施、數(shù)字圖書館相關(guān)領(lǐng)域研究，主持研發(fā)數(shù)字人文關(guān)鍵基礎(chǔ)設(shè)施“漢語統(tǒng)一時間標(biāo)尺平臺”（www.histchina.cn)。
Benjun Zhu is a research librarian at Peking University Library, with a PhD in management. He is one of the earliest researchers and practitioners of digital humanities at Peking University. He is mainly engaged in the research of regional and country studies literature security, digital humanities infrastructure, and digital library related fields, and is in charge of the development of the key infrastructure of digital humanities, "Chinese Unified Time Scale Platform" (www.histchina.cn).
李春芳，博士(后)，中國傳媒大學(xué)計算機與網(wǎng)絡(luò)空間安全學(xué)院副教授，畢業(yè)于北京航空航天大學(xué)計算機學(xué)院/自動化學(xué)院，3044am永利集團(tuán)訪問學(xué)者。主要研究方向：計量電影、影視大數(shù)據(jù)、數(shù)據(jù)可視化、可解釋人工智能。主持開發(fā)了中國電影知識體系平臺（movie.yingshinet.com）、如藝劇本系統(tǒng)（ruyi.cool）、影像與課本（www.yingshinet.com）、中國電影翻譯數(shù)據(jù)庫(film.yingshinet.com)。
Chunfang Li, a postdoctoral fellow, is an associate professor in the School of Computer and Cyberspace Security, Communication University of China. She graduated from the School of Computer Science/Automation, Beijing University of Aeronautics and Astronautics, and is a visiting scholar in the School of Arts, Peking University. His main research interests: metric cinema, film and television big data, data visualization, interpretable artificial intelligence. He has led the development of China Film Knowledge System Platform (movie.yingshinet.com), RuYi Script System (ruyi.cool), Image and Textbook (www.yingshinet.com), and China Film Translation Database (film.yingshinet.com).
柏右銘（Yomi Braester)是華盛頓大學(xué)西雅圖校區(qū)人文科學(xué)系Byron W. and Alice L. Lockwood講席教授，比較文學(xué)、電影和媒體系教授;《華語電影學(xué)刊》 (Journal of Chinese Cinemas)主編。主要致力于文學(xué)與視覺文化實踐研究，關(guān)注中國當(dāng)下的建筑、廣告、影像媒介以及舞臺藝術(shù)；他的研究聚焦于文本和影像如何形構(gòu)并操控我們對于空間和歷史的感知。著有《見證歷史：二十世紀(jì)中國的文學(xué)、電影和公眾話語》（2003 年）和《Painting the City Red: Chinese Cinema and the Urban Contract》（2010 年）等。曾獲得古根海姆學(xué)者獎學(xué)金、約瑟夫-萊文森圖書獎、中國比較文學(xué)協(xié)會主席（2006-2008）、北京電影學(xué)院杰出客座教授、中國人民大學(xué)杰出海外學(xué)者等。
Yomi Braester is the Byron W. and Alice L. Lockwood Endowed Professor in the Department of Humanities at the University of Washington, Seattle. He is also a professor in Comparative Literature, Film, and Media Studies. He serves as the editor-in-chief of the Journal of Chinese Cinemas. His research primarily focuses on the study of literature and visual cultural practices, with a particular interest in contemporary architecture, advertising, film, media, and performing arts in China. His research explores how texts and images shape and manipulate our perception of space and history. He has authored several books, including Witness against History: Literature, Film, and Public Discourse in Twentieth-Century China (2003) and Painting the City Red: Chinese Cinema and the Urban Contract (2010). Professor Braester has received numerous accolades, including the Guggenheim Fellowship, the Joseph Levenson Book Prize, and the presidency of the Chinese Comparative Literature Association (2006-2008). He has also been appointed as a distinguished visiting professor at the Beijing Film Academy and an outstanding overseas scholar at Renmin University of China.
邱章紅，安徽桐城人，哲學(xué)、經(jīng)濟學(xué)博士，現(xiàn)為3044am永利集團(tuán)教授、影視學(xué)系主任、3044am永利集團(tuán)數(shù)字媒體實驗中心主任、國家一級剪輯師。主要從事電影經(jīng)濟學(xué)、3D電影、互動敘事、計算傳播學(xué)等方面的研究工作，先后主持承擔(dān)教育部、國家廣電總局、文化部、廣東省等省部級科研項目6項、“973”、科技支撐計劃、國家社科基金等國家重點科研項目4項，著有《第四票房》、《深度之美》。
Zhanghong Qiu, born in Tongcheng, Anhui Province, doctor's degree in philosophy and economics, is a Professor of the School of Art, Peking University. The director of the Department of Film and Television, the director of the Experimental Center of Digital Media of Peking University and the Country level editor of China. Mainly engaged in research work on film economics, 3D film, interactive narrative studies and computational communication research. Presided six provincial and ministerial scientific research projects of the Ministry of Education, the State Administration of Radio, Film and Television, the Ministry of Culture and Guangdong Province. Presided four national key scientific research projects such as National Basic Research Program of China (973 Program), science and Technology Support Plan, and National Social Science Fund. Authored of
陳剛，北京師范大學(xué)藝術(shù)與傳媒學(xué)院副院長、影視傳媒系主任、教授。北京市宣傳文化系統(tǒng)“四個一批”人才、北京市廣播電視和網(wǎng)絡(luò)視聽行業(yè)青年創(chuàng)新人才。中國電影家協(xié)會理論評論委員會理事、中國電影評論學(xué)會理事、中國夏衍電影學(xué)會理事、北京電影家協(xié)會理事、美國杜克大學(xué)訪問學(xué)者。主要從事電影歷史及理論、電影藝術(shù)創(chuàng)作、電影數(shù)字人文等研究。
Gang Chen is the vice-dean of School of Art and Communication, Director of the Department of TV Movie and Media and Professor of Beijing Normal University. "Four batch" talent of Beijing Municipal Propaganda and Culture System, young innovative leader of Beijing radio and television industry and network audiovisual industry. Director of Theoretical Critics Committee of China Film Association, Director of China Film Critics Society, Director of China Xia Yan Film Society, Director of Beijing Film Association and the visiting scholar of Duke University. Mainly engaged in film history and theory, film art creation and film digital humanities research.
檀秋文，《當(dāng)代電影》雜志編審，《當(dāng)代動畫》雜志執(zhí)行主編，中國電影評論學(xué)會理事；主要研究方向為中國電影史、當(dāng)代電影文化；公開發(fā)表學(xué)術(shù)論文40余篇，出版?zhèn)€人著作四部。
Qiuwen Tan is the editor of Contemporary Cinema, executive editor of Contemporary Animation, and director of the Chinese Film Critics Association; his main research interests are Chinese film history and contemporary film culture; he has published more than 40 academic papers and four individual books.
陳接峰，博士，安徽師范大學(xué)新聞與傳播學(xué)院教授，博士生導(dǎo)師，研究方向：新媒體藝術(shù)、網(wǎng)絡(luò)文藝、媒介哲學(xué)。
Jiefeng Chen, Ph.D., is a Professor of the School of Journalism and Communication, Anhui Normal University, supervisor for doctoral students. His research interests are new media art, network literature, and art, media philosophy.
譚文鑫，博士，長沙學(xué)院影視藝術(shù)與文化傳播學(xué)院教授，碩士生導(dǎo)師，3044am永利集團(tuán)訪問學(xué)者；主要研究方向為中國電影史、中國現(xiàn)代文學(xué)。
Wenxin Tan, Ph.D., is a Professor of the School of Film Arts and Culture Communication, Changsha College, supervisor for master’s students. He is a visiting scholar at the School of Art, Peking University. His research interests are Chinese film history and contemporary literature.
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釜山國立大學(xué)3044am永利集團(tuán)教授、電影研究所所長、韓國電影學(xué)會會長
Mun Gwan gyu is a professor in the Department of Art and Culture Film Studies at Pusan National University's College of Arts. He also serves as the Director of the Film Research Institute and the President of the Korean Society of Film Studies.
東京大學(xué)綜合文化研究科教授，博士生導(dǎo)師，日本京都大學(xué)博士。曾任東京國際電影節(jié)亞洲部門評審。主要研究方向是海外華人的電影制作及其身份認(rèn)同。主要著作有《ナショナル?シネマの彼方にて--中國系移民の映畫とナショナル?アイデンティテ?！罚▏鴦e電影的彼岸---中國移民的電影及其身份認(rèn)同）日本:晃洋書房，2014年。合著有《男性羈絆，亞洲電影》日本：平凡社，2004年?！痘浉垭娪耙蚩F》香港電影資料館，2005年?！冬F(xiàn)代好萊塢電影論集》日本：人文書院，2008年，《冷戦與香港電影》香港電影資料館，2009年。WWII Cultural Politics around East Asian Cinema:1939-2018,TransPacific Press,2019年等多部。
Yanli HAN is a professor and doctoral advisor in the Graduate School of Interdisciplinary Information Studies at the University of Tokyo, she graduated from the University of Tokyo, Japan with a Ph.D. She was a judge for the Asian section of the Tokyo International Film Festival. Her main research focus is on the film production and identity formation of overseas Chinese. She is the author of the book Beyond National Cinema: Chinese Immigrant Films and National Identity (2014, Koyo Shobo). She has also co-authored works such as Male Bonds, Asian Cinema (2004, Heibonsha), Hong Kong Cinema: Fates Intertwined (2005, Hong Kong Film Archive), Collection of Essays on Modern Hollywood Cinema (2008, Jinbun Shoin), The Cold War and Hong Kong Cinema (2009, Hong Kong Film Archive), and WWII Cultural Politics around East Asian Cinema: 1939-2018 (2019, Trans Pacific Press), among others. Additionally, she has published several papers including "Tracing Overseas Shadows: Film Production of Chinese Immigrants in Silent Film Era" in Contemporary Cinema (2016) and "Film Screenings in Pre-War Brazilian Nikkei Society" in EX: Journal of Language and Culture (2017).
李洋，3044am永利集團(tuán)副院長，教授、博士生導(dǎo)師，教育部青年長江學(xué)者，制片人，法國戴高樂大學(xué)電影學(xué)博士，歐盟大學(xué)委員會伊拉斯謨計劃高級訪問學(xué)者，中國高教學(xué)會美育專業(yè)委員會副理事長，主要研究歐洲電影史、電影理論與西方當(dāng)代藝術(shù)理論，主持和參與國家社科基金等各類項目7項，在《文藝研究》《電影藝術(shù)》等發(fā)表論文40多篇，著有《目光的倫理》《迷影文化史》等，譯有《巴迪歐論電影》《萊昂內(nèi)往事》等，“新迷影叢書”主編，“迷影精神賞”發(fā)起人，曾在上海國際電影節(jié)、華語電影傳媒大獎、大學(xué)生電影節(jié)、華語青年影像周、FIRST青年電影展、香港鮮浪潮影展等電影節(jié)擔(dān)任選片評審。
Yang LI is a professor of Art Theory & Film Studies, the vice-dean of the School of Arts, Peking University, Ph.D. in Film Studies from the Université de Lille (2008). Professor Li is the Changjiang Young Distinguished Professor and is the Senior Visiting Scholar of the Erasmus Program of the EEES. He also serves as the Deputy Director of the Fine Arts Education Professional Committee of the China Higher Education Association, and independent film producer. His main research interests include European film history, film theory, and contemporary Western art theory. He has led and participated in various projects funded by the National Social Science Fund and has published over 40 articles in journals such as Literary Studies and Film Art. He is the author of books such as The Ethics of Gaze and A History of Cult Films, and has translated works such as Badiou on Cinema and Conversation avec Sergio Leone. He serves as the editor-in-chief of the "New Cinephilia Series" and is the initiator of the "Cinephilia Spirit Award" project. He has also served as a jury member for the Shanghai International Film Festival, Beijing International Film Festival, the University Film Festival of China, FIRST Youth Film Festival (Xi Ning), and Hong Kong Fresh Wave International Film Festival, among others.
統(tǒng) 籌 | 易 婧
文案編輯 | 栗 琳 周丹丹 李思銳 柴 波
海報設(shè)計 | 朱子彤 陳墨非
議程安排 | 易 婧 陳 都
海外聯(lián)絡(luò) | 嚴(yán)婧瑞 溫 巖
