柯偉業(yè)（Michael Cavayero），美術(shù)學(xué)博士，3044am永利集團(tuán)助理教授、研究員。曾先后就讀于庫(kù)伯聯(lián)盟學(xué)院（The Cooper Union for the Advancement of Science and Art）和紐約大學(xué)（New York University），并于后者以“精英青年學(xué)者計(jì)劃”（Scholar’s Program）全額獎(jiǎng)學(xué)金獲藝術(shù)學(xué)學(xué)士（BFA）學(xué)位，隨后于中國(guó)美術(shù)學(xué)院取得美術(shù)學(xué)碩士、博士。2020年加入3044am永利集團(tuán)外國(guó)語(yǔ)學(xué)院南亞學(xué)系任“博士后國(guó)際交流計(jì)劃引進(jìn)項(xiàng)目”博雅博士后，兼任3044am永利集團(tuán)佛教典籍與藝術(shù)研究中心助理研究員，2023年春季加入3044am永利集團(tuán)。主要研究領(lǐng)域?yàn)橹袊?guó)古代藝術(shù)史與宗教互動(dòng)研究、佛教藝術(shù)與佛教歷史、古代畫論文獻(xiàn)。代表研究有《〈歷代名畫記〉中“心源”與“妙悟”佛教源流研究》、《〈佛說阿惟越致遮經(jīng)〉中“心源”詞義的研究》、《張璪畫論與繪事中的佛教因素》等。
Michael Cavayero, “Newly Emergent Terminologies in Tang Dynasty Texts on Chinese Painting, and the Relationship to Buddhism—Taking Zhang Zao’s Xinyuan 心源 (Mind as the Source of All Things; ‘Fountainhead of [the] Mind’; citta-carita/ā?aya) as Example.” Proceedings of the International Association of Buddhist Studies, XIXth Congress of the IABS, Aug. 15th-19th (國(guó)際會(huì)議論文集), 2022.8；
Michael Cavayero, “Rotting Straw: Fetishized Asceticism in 20th century Europe, Franz Kafka and Simon Weil”. In Proceedings of the 17th Annual Prague Writers Festival, ed. Michael March. Prague, CZ, 2007.5 Issue, (會(huì)議論文集), (online first)；
Michel Cavayero, “Re-tooling Residencies Conference Report”, as part of exhibition titled, Working Title TYTU? ROBOCZY, Curators: Agnieszka Sosnowska, A-I-R Laboratory, CCA Ujazdowski Press Castle Warsaw, Poland, (2011.1), (online first).
譯著
參著（專著翻譯）
Disciplinary Rituals in Dunhuang Buddhism敦煌佛教律儀制度研究（合譯）, Zhan Ru 湛如, Translation Published by Brill, Studies on East Asian Religions Vol. 7, (2022.12), Jinhua Chen, Michael Cavayero, et al；
A History of Chinese Novel Theory中國(guó)小說理論史, (Co-translation), Chen Hong 陳洪, Published by Prakashan Sansthan（計(jì)劃出版）；
“Introduction: The World of the Painted Screen”, published by Suzhou Museum, Suzhou, PRC, Sept. 2019, in conjunction with large-scale exhibition: The Painted Screen Past and Future curated by Wu Hung 巫鴻 (2019.9)；
“A Conversation Between the Past and Present—Taking the Painted Screen as an Example”, published by Suzhou Museum, Suzhou, PRC, Sept. 2019, in conjunction with large-scale exhibition: The Painted Screen Past and Future curated by Wu Hung 巫鴻 (2019.9).
