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包華石（Martin Powers）教授是飲譽中外的漢學家與藝術(shù)史家。自青年時代起就以巨大的熱情投入到中國文化藝術(shù)的學習與研究中，出版學術(shù)專著4部（其中兩部獲得了列文森獎），主編學術(shù)論文集3部，發(fā)表各類學術(shù)論文50余篇，參與各類研討會和專場學術(shù)報告110余場，指導博士生30余名，對于推動中國文化藝術(shù)在海外的傳播與深入理解、提高中國文化藝術(shù)在國際領(lǐng)域的地位作出了極其重要的貢獻。
自1980年代起就因其在中國文化藝術(shù)研究領(lǐng)域的突出表現(xiàn)受邀他還長期擔任Ars Orientalis的編審；Getty Grant Program 蓋蒂基金、的顧問等職。
他致力于從藝術(shù)史角度，探討中國古代政治社會關(guān)系，重塑中國文化藝術(shù)的本來歷史地位。Powers教授成名較早，自1980年代以來，廣泛活躍于歐美及中國兩岸三地，曾先后在德國波恩大學、加拿大阿爾伯塔大學、美國國家美術(shù)館、耶魯大學、普林斯頓大學、哈佛大學、臺北“中央研究院”歷史語言研究所、香港中文大學、清華大學國學院、北京故宮博物院等地訪學與講學，并曾擔任廣州美術(shù)學院榮譽教授。
其研究奠定了中國藝術(shù)與政治關(guān)系研究的基礎，推動了社會藝術(shù)史的研究，并對重塑中國文化藝術(shù)的本來地位，反思西方學界對中國文化藝術(shù)的誤讀有重要貢獻，是當今漢學界和中國藝術(shù)史學界最負盛名的學者之一。
Professor Powers has been highly acclaimed as a sinologist and historian of art both in China and abroad. He early on developed a profound interest in Chinese culture and art, publishing four monographs, two of them having won the Levenson Prize for best book in pre-1900 Chinese Studies. He as also edited or co-edited three volumes, and has published more than 50 articles on a wide range of topics. In addition, he designed the educational website chinamirror.net, which provides source materials on Chinese history for advanced high school and college teachers. He has participated in more than 110 scholarly conferences and projects and mentored more than 30 Ph.D. students. He has been instrumental in promoting greater appreciation and understanding of Chinese culture in the West and has contributed to the international standing of the field of Chinese Art History.
From the 1980s onward his reputation grew with a Mellon Fellowship at the Center for Advanced Study in the Visual Arts in National Gallery, as well as awards from the American Council of Learned Societies, the National Endowment for the Humanities, and many more. He was the first scholar of Asian Art to be invited to the Getty Institute for the Humanities. He has served as reviewer or selection board member for the Center for Advanced Studies, NEH, the Getty Institute, and many more.
His research has made use of art historical methods to examine the social and political history of China, reshaping the international standing of Chinese culture. Professor Powers’ reputation developed from the 1980s onward. Since then he has participated in scholarly activities in America, Europe, and China. He has been a resident scholar or has delivered papers at Bonn and Gottingen Universities, Germany; The University of Alberta, Canada; East Anglia University in England; the National Gallery of Art in Washington, D.C.; Yale University; Harvard University; The Princeton Institute for Advanced Study; Academia Sinica in Taipei; The Chinese University in Hong Kong; the Institute for National Studies at Tsinghua University; the National Palace Museum, Beijing; and has served as honorary professor at the Guangzhou Academy of Fine Arts, among others.
His research has been foundational for the study of the interplay between Chinese art and socio-political institutions, and has advanced the study of social history, reshaping the international standing of Chinese culture. In addition, his work has provoked the rethinking of mistaken narratives about Chinese culture in the Western Academy. He is among the most renowned scholars in the fields of Chinese Art History and Chinese Studies.